The morning after, the two set out in pursuit of deer. If they were forced to go, they could have just denied any allegations and threatened to ruin what was left of their tourism if they weren't released immediately.īasically, the whole situation could have been handled if the main guys were more stoic, and the villagers weren't master detectives. They’re the only hunters there alien visitants to a tightknit enclave stewarded by Logan (Tony Curran), a community-minded older fella who immediately cosies up to Marcus and his big-business contacts. The villagers would have had to either force them to go, or let them leave. That decision sealed their fate, and it wouldn't be unreasonable to decline. Lo hemos dicho antes y lo volvemos a decir: Netflix saca cada vez más películas de la galera y casi sin aviso previo. Its got a Hitchcock vibe with a little bit of THE WICKER MAN tossed in for good measure. El film, que ya tuvo su paso por el Festival de Cine de Edimburgo, ha recibido muy buenas críticas por parte de la prensa. Even if the villagers tied the incident to them after they left, there wouldn't be enough evidence to prosecute with, and they'd be away from danger.Īlso, they should have declined to help with the search party. CALIBRE, on Netflix: This one is a genuine nail-biter. After making a splash in 2019 with her heartfelt directorial debut Someone Great, writer-director Jennifer Kaytin Robinson has teamed up with Netflix once again for her new teen comedy. ![]() Even if it was smarter to bury the bodies, why didn't they just leave after that? Their motivation for sticking around confused me. In this Calibre Netflix review, we will delve into the captivating world of this film and explore why it has become a favorite among audiences worldwide. ![]() SPOILERS:įor instance, why didn't they just leave immediately after the incident? They could have destroyed the guns, so finding the bullets and burying the bodies wouldn't matter. It achieves pulse-pounding only once, and. It may be bound for Netflix, but Matt Palmer's terrific, intensely terrifying Scottish twist on 'Deliverance' has big-screen swagger. I enjoyed it a lot, but do agree that some of the main guys' decisions were foolish. Matt Palmers film is an engrossing but unsurprising swirl of self-preservation instincts, grief, panic and terror.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |